The 7 best movies newly available on Netflix this month by David Erlich on Jan 9, 2018, 12:41 PM Advertisement
Does a new year mean a new Netflix? Probably not, as their slate for the first month of 2018 is still troublingly light on movies that would be old enough to have their own Netflix accounts. Nevertheless, the streaming giant has plugged a few of the biggest gaps in their library of classic films, adding "The Godfather" trilogy, "Breakfast at Tiffany's," and the entire "Bring it On" series in one fell swoop. Here are the seven best films to stream on Netflix in January 2018 (and click here for a list of everything that's been added to the service this month). SEE ALSO: Critics are in love with a new Netflix show that its CEO calls the 'most engaging addictive original' in a long time SEE ALSO: Here are all the confirmed original shows coming to Netflix in 2018 7. "Definitely, Maybe" (2008) Youtube Embed: http://www.youtube.com/embed/0oK4VOUmOkc Width: 800px Height: 410px Remember romantic comedies? They were nice. Sure, many of them were patently insane, and almost all of them reinforced some pernicious gender norms, but they could also be sweet and sincere reminders that we’re all just out there looking for love. “Definitely, Maybe” is one of the genre’s better examples, and also one of its last (at least of the glossy major studio variety). The semi-demented saga of a divorced father who recasts his sex life as a bedtime story for his 10-year-old daughter, the movie hinges on a convoluted premise that requires you to turn off your brain and let the cuteness work its magic. But the film’s meandering flashback structure allows it to squeeze in three rom-coms for the price of one, and Ryan Reynolds has some pretty electric chemistry with all three of his exquisitely cast love interests (Rachel Weisz, Isla Fisher, and Elizabeth Banks). Mix in a Bill Clinton subplot, a genuine measure of suspense, and a pinch of fatalistic anxiety and you’ve got yourself a delightful bit of escapism.
6. "Bring it On" (2000) Youtube Embed: http://www.youtube.com/embed/IP6mF9YffvQ Width: 800px Height: 410px At the risk of understating the film’s importance, “Bring it On” essentially closed the book on one century of cinema while authoring the first chapter of another. Arriving at the tail end of the ’90s teen movie boom (right before “Not Another Teen Movie” would brilliantly steer the genre towards self-parody), but also anticipating the irony and intersectionality at the heart of today’s youth culture, Peyton Reed’s spirited cheerleading saga holds up and then some. Reed knows how to mock something with loving moxie (see “Down with Love”), Kirsten Dunst and Gabrielle Union were peaking into perfect foils for each other, and Jessica Bendinger’s script finds a million different ways to add new flair to old routines. It’s part “Clueless,” part “Pitch Perfect,” and all gold. Also, “Torrance Shipman” is one of the great movie names of all time, and there will be no debate on that subject.
5. "The Force" (2017) Youtube Embed: http://www.youtube.com/embed/7C-mxacZlJU Width: 800px Height: 410px Here’s Anthony Kaufman, eloquently speaking to one of 2017’s most vital documentaries: “Peter Nicks’s outstanding direct-cinema portrait of the troubled Oakland Police ‘The Force’ is another urgent chronicle that captures the deep ruptures in our communities: On one side, the much-maligned police of the California city; on the other, the community who feels trampled over by the authorities. That ‘The Force’ suggests—at first, at least—that we should sympathize with the police during Trumpian times may be a tough pill for some viewers to swallow, but what makes the movie such a riveting and resonant story is the unexpected places it goes. Despite how it first seems, ‘The Force’ paints a far more complicated and troubled picture of enforcement and accountability, which is sure to only become more distressing in the years to come.”
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